Maxwell – This Woman’s Work

Along with fellow founders D’Angelo and Erykah Badu, Maxwell was enormously important in defining and shaping the neo-soul movement that rose to prominence in the latter half of the 1990s. Drawing his greatest inspiration from the concept of the R&B auteur (looking to artists like Prince, Marvin Gaye, Stevie Wonder, etc.), Maxwell recorded some of the most ambitious R&B of his time, becoming wildly popular and often earning critical raves in the process. What was more, his recurring theme of romantic monogamy set him apart from the vast majority of his bump ‘n’ grind loverman contemporaries.

Maxwell was born May 23, 1973, in Brooklyn, New York; he adopted his middle name as his stage moniker, keeping his real identity a closely guarded secret out of concern for his family’s privacy. Born of Puerto Rican and Black Caribbean stock, Maxwell suffered the loss of his father (in a plane crash) when he was just three years old. The experience made him a deeply religious child, and he first began singing in his Baptist church. Still, he didn’t really get serious about music until age 17, when he began writing his own songs using a cheap Casio keyboard given to him by a friend. Initially influenced by early-’80s R&B, he progressed rapidly, and by 1991 he was performing on the New York club scene, despite ridicule from classmates who couldn’t imagine the shy, awkward teenager doing anything of the sort. After making a name for himself, he signed a recording contract with Columbia in 1994.

Maxwell’s Urban Hang Suite
Maxwell recorded his debut album, Maxwell’s Urban Hang Suite, that year, working extensively with several collaborators, including songwriter Leon Ware (who’d co-written Marvin Gaye’s I Want You) and guitarist Wah Wah Watson (who’d also worked with Gaye). Multi-instrumentalists and producers Stuart Matthewman (of Sade and Sweetback) and Hod David were involved on deeper levels and would work with Maxwell throughout his career. Maxwell’s Urban Hang Suite was a romantic concept album in the vein of Gaye’s greatest ’70s work, with a more modern flavor courtesy of Prince’s influence; inspired by a brief but intense affair, the record’s giddy celebration of committed monogamy could have come off as old-fashioned as its classic influences, given the marketplace dominance of hip-hop soul at the time. Partly because of those fears, it wasn’t released right away, although a series of shake-ups in Columbia’s management played a bigger role in the delay. It wasn’t until the spring of 1996 that the album finally appeared. Sales were slow to take off, even though Maxwell scored some airplay with “…Til the Cops Come Knockin’.” The gold-selling second single “Ascension (Never Wonder)” lit the fuse, however, and Urban Hang Suite went platinum before a year had passed, also earning a Grammy nomination.

MTV Unplugged
Now elevated to sex-symbol status, Maxwell capitalized on his breakthrough with the MTV Unplugged EP, taken from his live MTV performance. It attracted attention and acclaim outside the R&B community with the left-field cover choices “This Woman’s Work” (by art rocker Kate Bush) and “Closer” (the Nine Inch Nails hit). Additionally, the Unplugged version of “Whenever, Wherever, Whatever” earned him another Grammy nomination (for Best Male Pop Vocal). Anticipation for his second full-length album was high, and when Embrya was released in June 1998, it entered the Billboard 200 at number three. Reviews were more mixed this time around, with some critics charging that Maxwell’s ambition had crossed the line into self-indulgence. Still, the record duplicated its predecessor’s platinum sales. In 1999, Maxwell scored his biggest hit to date with the single “Fortunate,” an R. Kelly composition he recorded for the soundtrack of the film Life. It was a mammoth success, ranking as the number one R&B hit of the year in Billboard. Later that year, he also cut two songs for the soundtrack of The Best Man.

Now
In August 2001, Maxwell returned with his third album, Now, which was touted as a return to the more straightforward romantic atmosphere of his debut. It entered the Billboard 200 at number one and quickly launched a hit single in “Lifetime.” Maxwell didn’t resurface until 2008, when he performed Al Green’s “Simply Beautiful” as part of that year’s BET Awards. A handful of intimate gigs, and another BET Awards performance, prefaced his fourth studio album, BLACKsummers’night, released in July 2009. “Pretty Wings,” its lead single, topped the R&B/Hip-Hop chart and was, for the era, a rare soul-rooted Top 40 pop hit. At the 2010 Grammy Awards the following January, “Pretty Wings” won in the category of Best Male R&B Vocal Performance. BLACKsummers’night also won Best R&B Album. Though the similarly titled blackSUMMERS’night was planned for release as early as 2011, Maxwell took his time. The album wasn’t issued until July 2016, just a few days after he took part in a BET Awards tribute to Prince, which featured many of the same studio musicians, along with contributions from Robert Glasper.