Chris Brown – Deuces ft. Tyga, Kevin McCall

One of the most prominent artists in contemporary R&B, Chris Brown is a dynamic vocalist whose longevity is attributable in part to his natural incorporation of hip-hop and his embrace of club sounds spanning from EDM to Afrobeats. Greeted with comparisons to Michael Jackson and Usher, Brown debuted in 2005 as a teen pop-R&B vocalist with “Run It!,” the first debut single by a male artist to top the Billboard Hot 100 in over a decade. While there was nowhere to go but down, at least in terms of chart positions, Brown was only getting begun. Within a few years, he became a well-established star with Chris Brown (2005) and Exclusive (2007), multi-platinum albums that yielded five more Top Ten singles, including “Kiss Kiss” and “Forever.”

One of the most prominent artists in contemporary R&B, Chris Brown is a dynamic vocalist whose longevity is attributable in part to his natural incorporation of hip-hop and his embrace of club sounds spanning from EDM to Afrobeats. Greeted with comparisons to Michael Jackson and Usher, Brown debuted in 2005 as a teen pop-R&B vocalist with “Run It!,” the first debut single by a male artist to top the Billboard Hot 100 in over a decade. While there was nowhere to go but down, at least in terms of chart positions, Brown was only getting begun. Within a few years, he became a well-established star with Chris Brown (2005) and Exclusive (2007), multi-platinum albums that yielded five more Top Ten singles, including “Kiss Kiss” and “Forever.” As a featured artist or duettist, he added to the tally with hits such as “No Air,” a ballad with Jordin Sparks. By the end of the decade, Brown underwent a stylistic makeover during which his progenitors shifted to the likes of Jodeci, R. Kelly, and 2Pac. This, and a more drastic change in his public image, did little to halt his commercial momentum. His stretch of Top Ten albums was sustained with releases such as Graffiti (2009), the Grammy-winning F.A.M.E. (2011), and Fortune (2012). Brown’s artistic scope continued to widen with Heartbreak on a Full Moon (2017) and Indigo (2019), albums as lengthy as epic films, and with his tenth and 11th consecutive Top Ten albums, Breezy (2022) and 11:11 (2023). The latter was promoted with some of his warmest recordings, including the Grammy-nominated “Summer Too Hot.”

Chris Brown is originally from Tappahannock, Virginia. Like a lot of kids born in the mid- to late ’80s, he got into his parents’ favorite music but ultimately fell under the spell of hip-hop. Around the time his voice changed, he discovered his singing ability and shifted his focus away from MC’ing. A transfer to New York led to being discovered by Tina Davis, a Def Jam A&R executive who became the singer’s manager shortly after losing her position in the Sony-BMG merger. The Jive label, due in part to its track record with younger artists who had established longevity (like Britney Spears and Justin Timberlake), won the bidding war for Brown and lined up several production and songwriting heavy weights, including Jermaine Dupri, Bryan-Michael Cox, Sean Garrett, and Scott Storch, for his self-titled first album. An immediate Top Ten success when it was released in 2005, Chris Brown not only featured the number one “Run It!” but two other Top Ten singles in “Yo (Excuse Me Miss)” and “Say Goodbye.” Brown was subsequently nominated for a Grammy in the category of Best New Artist. Exclusive, released in 2007 and a bit of a departure from the wholesome image depicted throughout his debut, was even more successful, featuring the number one single “Kiss Kiss” and two other Top Five hits. Yet another Top Five hit arrived with “No Air,” a duet with Jordin Sparks that appeared on Sparks’ own self-titled album. Brown also co-wrote “Disturbia,” a number one smash for Rihanna.

Stomp the Yard
In March 2009, Brown was charged with felonious assault of Rihanna, an altercation that had prevented his then-partner from mounting the stage at the Grammy Awards. Brown was scheduled to perform as well, but he did not appear and maintained a low profile for several months. A reasonably substantial backlash resulted in Brown’s songs being pulled from rotation on several radio stations. Ultimately, however, it had little consequence on the progress of his music career and side acting gigs. The week before the December release of his third album, Graffiti, the single “I Can Transform Ya” was well on its way to reaching the Top 20 of the Hot 100, and his acting roles — which had already included spots in Stomp the Yard and a recurring role on The O.C. — hadn’t shown any sign of drying up. Graffiti fell considerably short of gold-selling status, but it was nominated for a Grammy Award in the category of Best Contemporary R&B Album, and a Tank collaboration, “Take My Time,” was nominated for Best R&B Performance by a Duo or Group with Vocals.

X
Weeks after the 2011 Grammy Awards ceremony, Brown released his fourth album, F.A.M.E., which already had four singles on the listings. That record topped the Billboard 200 and the Hot R&B/Hip-Hop charts, and it claimed the 2012 Grammy for Best R&B Album. During the ceremony, he performed a medley of “Beautiful People” and “Turn Up the Music,” the latter of which previewed Fortune, his fifth album, released in May 2012 and an instantaneous chart-topper in the U.S. A sequence of several singles that began with “Fine China” preceded X, published in September 2014. Less inspired by European dance-pop and more R&B-oriented than his previous release, the album included contributions from R. Kelly, Usher, and Lil Wayne, among many others. Four of its singles ascended within the R&B Top Ten. X was only five months old when Brown and Tyga, who had previously worked together on one of those successes — “Loyal,” as well as the earlier “Deuces” — teamed up for Fan of a Fan: The Album. By the end of 2015, Brown released Royalty, his seventh proper album, which was propped up by the Top 20 pop smash “Back to Sleep.”

Slime & B
Brown churned out material in larger volumes and made more featured appearances through the end of the 2010s. Heartbreak on a Full Moon arrived in October 2017 with 45 tracks on its deluxe edition. It entered the Billboard 200 at number three, making it the artist’s eighth consecutive Top Ten album. The following year, Brown appeared on a few high-profile collaborative singles, highlighted by Lil Dicky’s “Freaky Friday,” another Top Ten success. In June 2019, Brown returned with his ninth solo album, the chart-topping double-length Indigo. A track from the LP, “No Guidance,” was nominated for a Grammy for Best R&B Song. The commercial mixtape Slime & B, a collaboration with Young Thug, followed in May 2020 and reached number 24 on the Billboard 200. Brown returned in June 2022 with the number four single Breezy. Aiming to relate more directly to the women in his audience with an emphasis on slow jams and ballads, he also added the likes of Ella Mai and H.E.R. to a supporting ensemble that included WizKid, Jack Harlow, and Lil Durk. Despite the LP’s many guests, the unassisted “Iffy” and “WE (Warm Embrace)” were its two first singles to reach the Hot 100. Brown stayed busy in 2023, teaming up with Fridayy on the R&B anthem “Don’t Give It Away,” appearing on Chlöe Bailey’s “How Does It Feel,” and giving fans a sneak peek at his forthcoming 11th long-player with “Summer Too Hot” and the Ciara collaboration “How We Roll.” 11:11, including additional collaborations with Davido, Lojay, and Future, entered the Billboard 200 at number nine upon release that November, earning a Grammy nomination for its lead single.

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